Blend the wet/dry knob until you achieve subtle thickness and depth to the snare. Then just search for H-Delay on the site. On ad-libs or background vocals, feel free to switch those up, as those occur less frequently and can be a little weirder and more drastic. They call it a hybrid delay plugin. But especially for Vocals, I’d sometimes add an instance of Renaissance Compressor right after the H-Delay, with the main vocal track as the side-chain input. Use this link if you want a code for 10% off. Notice the Waves H-Delay allows for delay based on the bpm. 3. To avoid muddying up the mix, try to have the decay of the effects fade away just before the next phrase. Check it out on the Waves site. We want reflections that arrive quickly, adding density and thickness to the vocal. Instead of a mono delay or an echo we're using a stereo delay with two different settings on either side. For a lead vocal, I would stick with simple time divisions for maximum clarity that pulses with the beat. H-Delay by Waves. Reduce the delay time to 1/64 note. (This works pretty well with SmackAttack too). The Waves H-Delay is one of my most frequented effect plugins because of its simplicity and ease of use. i am trying to use the waves H delay on a couple single lyric words in pro tools, i have the half bar delay on a bus track and am feeding the audio into the aux by automation but when i feed in the audio for the one word i want delayed, it has all the previous lyrics also flooding in. More on that later.) Waves H-Delay on a separate aux send is set to a slap delay. Adding a subtle slap delay to the vocal can help add interest in almost any reverb setting, and could be nice when you’re going for an intimate sound. Once again, we're using the same vocal sample as before, but we've changed the delay. Step 2: Set the delay to the bpm of the track. In this video, you’re going to discover a simple vocal delay trick that can make your vocals sit perfectly in any mix. Set to MS, use a very short delay and feedback and LP filter at about 820hz. This kinda helps the the delay sit quite nicely behind the vocals in the mix. Attack and release - set to taste \ groove of the song. Depending on the cadence of the vocal, that could be an 1/8 note, a 1/4 note, a 1/2 note, and so on. H-Delay is a lot of fun. It is also in the top 20 most-used effect plugins among the Splice community. Hey, this is Jason from Behind The Speakers, and in just a minute I’m going to jump into my DAW and show you how to apply this powerful vocal delay trick to make your vocals … Waves H-Delay. Hi! The H-Delay plugin works great for adding a delay or echo to emphasize certain words and phrases. These examples feature Abbey Road Plates, with the A Plate setting and the damper down around 2 to create a short decay time. “ H-Delay is an absolute gem for drums, synths and vocals. On synths, LP filter at 8.55k, set the delay to a 1/32 note with a moderate feedback. Vocal Effects with Waves H-Delay. The H-Delay comes from Waves’ Hybrid line of products and has the flexibility to produce filtering, phasing, flanging, slap-back, ping-pong, and tempo sync modulation all in … Step 1: Send your vocal to a delay with a bus or aux send. Definitely a staple for producers and well worth a spot in your plugins folder. With a 200 millisecond delay on one side and a 150 millisecond delay on the other you get a bigger and wider sound. I use H-Delay on a snare instead of reverb. It’s got a nice gritty sound to it, and is equipped with a modulation section that can create warbled and weird repeats that I sometimes use subtly on lead vocals, but gets more action on stacked backup vocals. 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